The film contains footage documenting the work of a stained-glass restoration workshop.
1) 00:00:02 – 00:00:32 — Opening credits of the People's Film Studio “Murator”. Shots of stained-glass windows.
2) 00:00:33 – 00:02:28 — Opening credits of the People's Film Studio “Murator”. Secessionist stained-glass windows with floral motifs decorating the stairwells of buildings at 7 Soborna Square and 22 Zelena Street. Alternating shots of stained-glass windows and scattered fragments of colored glass. A Secessionist stained-glass window with cornucopias in the lobby of the building at 2 Malaniuka Square. Close-ups of viewers—adults with children—watching photographs projected in a hall. Pavlo Hrankin stands behind the projector. A stained-glass window with laurel garlands and solar symbols in the building at 77 I. Franko Street. The grand staircase of the former Chamber of Commerce and Industry building at 17–19 Shevchenko Avenue, decorated with stained glass. Pavlo Hrankin beside a stained-glass window in the stairwell of the building at 29 I. Kotliarevskyi Street, produced by Stanislav Habriel Zhelenskyi’s company. A fragment of a stained-glass window with a wreath of roses at 8 Hvardiiska Street (now Heroes of Maidan Street). A stained-glass window depicting a vase of flowers on the staircase of the former Railway Directorate building at 3 Sichovykh Striltsiv Street. The central staircase of the building at 3 Kopernika Street. A researcher touches the glass and photographs the stained-glass panel at 3 Sichovykh Striltsiv Street.
3) 00:02:29 – 00:03:28 — Oleksandr Overchuk examines the publication Stained Glass in a library reading room. Drawing and photographing the stained-glass window in the stairwell of the building at 6 Hertsena Street (now I. Bilozir Street), probably designed by Jan Bagieński. Oleksandr Overchuk works on a drawing of the stained-glass window. Pavlo Hrankin photographs the office stained-glass window featuring a woman’s profile in the Segal House (6 Tchaikovskoho Street, now M. Skoryka Street).
4) 00:03:29 – 00:11:32 — Pavlo Hrankin and Oleh Yankovskyi discuss a restoration project in the workshop. Oleh Yankovskyi holds a fragment of stained glass. Master glass artists and restorers at work: producing colored glass, preparing lead profiles, inspecting pieces for defects, and applying finishing touches. Among the stained-glass windows in progress are works with floral and geometric motifs, as well as an image of the Virgin Mary of Częstochowa. Examples of sacred art depicting saints. Fragment of a stained-glass window from the Church of Mary of the Snows. Stained glass windows by Petro Kholodnyi in the Church of the Assumption. Footage of welding during the creation of a stained-glass window. Stained glass windows decorating various stairwells with damaged panes.
5) 00:11:05 – 00:11:32 — Closing credits. Restorers: Ihor Shvets, Viacheslav Shvets, Oleh Yankovskyi. Researchers: Pavlo Hrankin, Oleksandr Overchuk. The film’s authors are listed; it was shot under the direction of Roman Buchko.